Oliver Stone gives us a film that is completely over the top in style, but completely brilliant. He barely gives us time to get used to one style or angle before he’s on to the next one. Now black and white, now colour, this angle, that angle; filmed through a camcorder; animation and a whole section done as a naff 70s sitcom (complete with canned laughter) about child abuse and wife-beating.
filmsRruss 